
But the public domain editions have some troublesome fingering notations. Some fingerings are awkward, some are missing details (at 4 before E, is it 1st finger in 1st position or 5th position?), some suggest 4th finger when 3rd would allow a stronger vibrato. In the overall style, there seem to be more expressive shifts implied in the fingerings than are really appealing to a 21st-century ear – like, twice in Bar 11.
When I listened to recordings for guidance, it didn’t seem like the artists were shifting quite as often as indicated by the fingerings. Nor were they playing the last two lines exclusively in high positions on the G, D and A strings. (Most student instruments don’t sound their best played high on these strings either.)

I just assigned Salut d’Amour to two students, one a young teen and the other an adult. I spent the first lessons on the piece once again transferring all my hand-written fingering suggestions to their undersized public domain PDFs. Finally the light dawned, and I decided to start again from scratch with a newly transcribed part in MuseScore, to which I could add as many of my fingerings and position clarifications as I liked.

The result still fits on one page! Along with larger finger-numbers, I added position designations in Roman numerals, and slide-marks where it’s most tasteful to add an expressive shift. I’m calling the result a “Study Edition” due to all these extra markings. Once a student has incorporated them into their playing, they can go back to reading a vintage edition. No changes were made to the piano part, and all rehearsal letters are in their traditional positions.
I’m posting this for sale at SheetMusicPlus.com for $5.99, but you can download a copy here for just $2.99. Enjoy it with the instrument you love!
Download Salut d’Amour
And, here’s more violin repertoire for intermediate students.